Here’s the invitation:
For the April Synchroblog, we want to explore this question in more detail. We want to ask, “What if the resurrection is a lie?”
The invitation to write continues, “We believe Jesus rose from the dead. But what if it was all a hoax? How would the world and our lives be different?”
I’ve heard people say that if they had cancer or were faced with some other dramatically life-altering experience, then they would respond in certain ways. Here’s the thing: no one can know unless they’ve actually stood face-to-face with those things. We can guess, and we can hope — but we can’t know for certain.
In the same way, it’s impossible for me to respond to some questions. What if I hadn’t been born with blue eyes? What if I’d grown up rich, or on the East Coast, or what if I were deaf? I can vaguely speculate, but I certainly can’t definitively say, “Here’s what I’d be like, and here’s why,” because those aren’t part of my existential reality.
What is part of my reality is that I grew up Christian, going to church every week. I grew up in a time when that’s pretty much what people did. There wasn’t the proclamation that “America is a Christian nation” in the same way as we often hear it now — because there was no need to state what was pretty much obvious. I left the church because of life circumstances I’ve talked about elsewhere, but I never lost my faith. I returned to the church twenty years later, again because of life circumstances, and was deeply involved for another twenty years. Right now I’m in limbo. Or on a sabbatical. Take your pick. But I haven’t lost my faith. As a matter of fact, separation from the institutional church and the resultant self-examination only makes my faith deeper.
But… here’s the thing: I don’t believe in the bodily resurrection of Jesus. I also don’t believe that God created the world in seven days, or that the earth is flat or many of the other things that the bible says.
However, I do believe in the resurrection of the Christ. To me it’s not a hoax at all. I believe that the Christ transcended death and went to rejoin the Almighty One after being with us here on earth. I believe that the Christ appeared to the women, to the twelve, to those on the road to Emmaus. I believe that the Christ sent the Paraclete — the Advocate — the Comforter — to be with us. I believe that Jesus was and is the Christ, one of the three “persons” of the Trinity.
The introduction to a forgotten novel I read a long time ago said something like, “Everything you read here is true, whether it happened or not.” We tell stories in ways that help us to understand what we think and, more importantly, how we feel. In my life that is the part that matters, and how I can describe how I relate to the resurrection story. Maybe I’m wrong, and I know that many would describe what I say as heresy. Maybe Jesus the human being was lifted up in bodily form. God is infinite, and does many things that I cannot comprehend. I know that. But, again — to me that doesn’t matter. What matters are the consequences of the resurrection. Christ was born; Christ is risen; Christ will come again… and again.
It’s different than what I’m saying, but related… Far better than I ever could, John Dominic Crossan answered our question in this way:
The Communal Resurrection of Jesus
In the great Rotunda of the ancient Church of the Resurrection — or Church of the Holy Sepulchre — in Jerusalem is a tiny free-standing shrine known as the Aedicule or Chapel of the Tomb and Resurrection of Jesus. It is a tiny space and pilgrims are usually lined up waiting their turn to enter a few at a time.
A processional banner was hanging to our right as we entered that shrine-chapel in May, 2008. It is kept there, presumably, to be used in liturgical celebration on Easter Sunday. It is bright red with golden lettering down either side. To left is the word “Christ” and to right “Is Risen” — both in Greek upper-case letters. No surprise there since that is Easter’s celebratory greeting in Eastern Christianity. But in between those words, in the center of the banner, is a diamond-shaped image. And it surprises us.
That image does not show Jesus arising in splendid triumph from an opened tomb. This is not — even in miniature — a Titian or a Rubens with Jesus emerging in muscular majesty. But emerging, however majestically, in magnificent and lonely isolation. Instead, four other individuals are with him in this parabolic vision.
Jesus himself is at the left of the icon. He holds a small cross in his left hand and stands on the bi-fold gates of Sheol, Hades, or Hell which are shattered into a cross-shaped structure beneath his feet. Jesus is bending forward — gently, tenderly, graciously — and, stretching out his right hand, he grasps and pulls on the rather limp wrist of Adam. Beside Adam stands Eve. Behind the two of them stand a youthful Abel, with shepherd’s staff, and an older John the Baptist, with beard and long hair. They are the first martyr of the Christianity’s Old Testament and the first martyr of its New Testament.
At the top of that diamond-shaped image, lest there be any mistake about meaning, is the word Anastasis, Greek for “resurrection”. But is not Easter about the absolutely unique resurrection of Jesus alone, so why are any others involved and, if others, why precisely these others? The answer reveals a major difference between Easter Sunday as imagined and celebrated in Eastern Christianity as opposed to Western Christianity. It also reveals for me the latter’s greatest theological loss from that fatal split in the middle of the eleventh century.
When you look at Eastern Christianity’s images, either for the great feasts of the liturgical year or for traditional events in Jesus’ life, they are all — save one — quite recognizable to Western as to Eastern eyes. The great exception is how Eastern Christianity portrays the “Resurrection,” that is, in Greek, the “Anastasis,” of Jesus. Across vast stretches of time, place, art, and tradition, icons and illustrations, frescoes and mosaics show always a communal and not an individual resurrection for Jesus. We can watch that magnificent tradition develop across half a millennium — from 700 to 1200 — before its varied elements and successive stages are fully established.
First, the various elements of the tradition. Jesus is shown breaking down the closed and bolted gates of the Underworld — as Sheol, Hades, or Hell — the abode of the Dead, the prison of “those who have slept” — that is the same Greek term used for them in both Matthew 27:52 and 1 Corinthians 15:20. The personified Hades, Prison-warden and Gate-keeper of the Dead, is shoved to one side or even walked on as Jesus barges in to liberate his prisoners. Jesus is usually carrying a cross, his wounds are often very evident.
Only six individuals are identified from the crowd responding to Jesus’s arrival among the dead — they appear chronologically across the tradition’s development in this sequence. First, bearded Adam and youthful Eve appeared. In almost every single image, Jesus grasps the wrist of Adam to pull him alive from his tomb. Later, David, with crown and a beard, along with his son Solomon, with crown but without a beard, were added. Finally, as seen above, those twin martyrs, the Shepherd and the Baptist, joined the others. So, in summary, two ancestors, two monarchs, and two martyrs are singled out from the crowd. Still, if Adam and Eve are freed, who is not?
Next, the successive stages of the tradition. In the first stage Jesus is always approaching — as we just saw above — and grasping Adam’s wrist. A next stage shows him leaving — often looking backward or forward as he drags Adam by the wrist with the others looking on. A third or facing stage is similar to that last one except that now Jesus looks not backward or forward but straight out of the image — at you, the beholder.
Finally, there is the last or doubling stage and I must admit that it is my favorite. Jesus has put down the cross — sometimes an angel holds it for him — and Adam and Eve are now on opposite sides of Jesus instead of, as earlier, both on the same side. Each gets a hand at this stage. We finally have an equal-opportunity resurrection of the dead.
In the western Christian tradition we call that tradition the Harrowing — or Robbing — of Hell and keep it carefully distinguished from the individual Resurrection of Jesus. “He descended into Hell,” says the Apostles’ Creed, “on the third day he arose from the dead.” But in the eastern Christian tradition it is the communal Resurrection of Jesus. We, to our loss and my grief, have forgotten that corporate vision of Easter.
Eastern Christianity’s tradition of the resurrection of Jesus reminds our Western Christian imagination that only poetry — be it verbal or visual — speaks to our profoundest hopes, deepest dreams, and greatest insights. It also reminds us that theology is — no more and no less — the poetry of transcendence.
http://www.huffingtonpost.com/john-dominic-crossan/the-communal-resurrection-jesus_b_847507.html
I’ll post a list as others post on this synchroblog topic.
Here is the list of the other posts on this topic:
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- Abbie Watters – What if the Resurrection were a lie?
- Carol Kuniholm – Risen Indeed? The Hermeneutic Community
- Christine Sine – If the Resurrection did not happen, how would the world be different?
- Ellen Haroutunian – Is There a Christianity Without the Resurrection?
- Glenn – Kingdom Come or Kingdom Now?
- Jeannette Altes – What if…
- Jeremy Myers – What if Jesus Did not Rise?
- Josh Morgan – The Role of the Resurrection
- Kathy Escobar – Jenga Faith
- KW Leslie – Supposing Jesus is Dead
- Leah – Resurrection – Or Not!
- Liz Dyer – The Resurrection I Firmly Believe In
- Marta – On Faith Seeking Understanding, Truth, and Theology
- Minnow – Resurrection Impact
- Sonja Andrews – The Resurrection and the Life
- Tim Nichols – How Would Life be Different if Jesus did not Rise?
- Travis Mamone – If the Resurrection was a Hoax
Gays Make New Devil DNA Squirt Gun
I know: it’s from last year. I’m frequently behind when it comes to movies. Let me just say that I find this movie to be timeless.
As a queer person, I also saw queer subtext in this movie. Don’t get me wrong: I see queer subtext in lots of things where a non-queer person might not. It’s my own filter. But I saw Hiccup (the main character) as a gay boy growing up. I also saw Astrid as a baby dyke — after all, she was the only character in the movie who carries a 
A piece of my mind 